Since 2019, House Beautiful’s annual Whole Home project has highlighted some of the best emerging design talent and trends, inspiring a wave of new paint, styling, layout, and organization ideas. In honor of our latest 2026 show house debuting in Charleston, South Carolina, we’re revisiting our archives with a predecessor to today’s Whole Home—the “House of the ‘90s.”

While the 1990s are known for the emergence of mainstream minimalism, à la Calvin Klein and John Pawson, the editors of House Beautiful at the time understood how much the American homeowner really wanted to embrace these trends. Their 1991 show house overlooking the Chattahoochee River in Georgia was a distinctive blend of relaxed traditionalism, family-friendly whimsy, and suburban charm. The whole house is cast in warm, golden neutrals, with flexible seating areas everywhere. Antiques blend in with comfy upholstery (coated in Scotchgard) and beachy white wicker. It’s a home you can really imagine living in.

Read the original story, which ran in our February 1991 issue, and tour the full House of the ‘90s space below.

Bright, inviting dining area with a round table, striped chairs, fruit, and a large vase of sunflowers.
Langdon Clay
Green-on-green Clarence House wallpaper creates a vibrant background for McGuire’s white wicker in the breakfast room of our House of the ‘90s. Judy Pratt’s curtain is shirred on a rod with a ruffled header piped in red. Pillows: Cushion Works, in Manuel Canovas fabric. Plates: Eigen Arts. Fan: Hunter Fan Co.

Story by Mervyn Kaufman, Dara Caponigro, and Susan Zevon

House Beautiful has been talking for almost two years about how we Americans want to live in the ’90s, spelling it out in numerous articles. Finally, we decided to nail our philosophy down literally with boards and shingles, windows and doors. So, with the help of the American Wood Council, this sunny house was built on the banks of a placid river in Georgia, and everything we have been reporting to you was put into it. Our architect was Melanie Taylor of New Haven, Connecticut. Working closely with her were Atlanta interior designer Nancy Braithwaite and the builder, John Wieland Homes.

Interior view of a bright hall leading to an outdoor porch with elegant furnishings and natural light.
Langdon Clay
The entrance hall, with its archway and Georgian moldings, is reassuringly traditional, but it flows into a porch made for 1990s outdoor living, forming the indoor-outdoor axis of the house. Floor tile: American Olean. Rocking chairs: Weathered. Iron chairs: Currey & Company. Windows: Pella. Paint: Pratt & Lambert. Chairs, fabric: Baker. Urn: Ainsworth-Noah. Lantern: Nierman Weeks for John Rosselli.

When HB first began to study what people wanted from their houses in the ’90s, our sources in the design world said, "old-fashioned touches like porches and columns, wedded to contemporary, bright, airy interiors.” They said a home should be “both a refuge and a new frontier... a sheltering, nurturing family center.” They talked about comfort, pared-down traditional styling, classic country details, little hideaway places, romantic bedrooms, pampering baths, big family kitchens.

We said yes to the whole wish list for our House of the ’90s, and you can buy plans to build one of your own.


Living & Dining Rooms

A spacious, sunlit living room with cozy furniture, decorative pillows, and a room divider against large windows.
Langdon Clay
Sunny paint colors glow in the light-filled living room.
A spacious, sunlit living room with cozy furniture, decorative pillows, and a room divider against large windows.
Langdon Clay
Screen: Travis-Irvin.

“The decorating respects the architecture,” says interior designer Nancy Braithwaite. The house has a lighthearted spirit, and in the living room particularly, the accent is on comfort. The beadboard ceiling crisscrossed with rafters is painted off-white, appropriate for an informal space in which sisal carpeting and wicker pieces from McGuire set an easygoing mood.

For the windows, Braithwaite shirred upholstery fabric on a rod, and each room was given a surprise element here. An antique beechwood and shell screen enhanced with a checkerboard of blue art paper. The armoire entertainment center holds a TV and stereo. This is not a room just for guests but for the whole family.

The generous scale of the story-and-a-half high living room is echoed in the big, easy furnishings a family loves to flop into.
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Brightly decorated dining room with yellow accents, elegant furniture, and large windows showcasing natural light.
Langdon Clay
Columns topped by a transom, which frames the doorways to the dining room and living room, are details of an unmistakable formality. The designer played against this formality in the assortment of seats she used, yet she deferred to it by choosing traditional chairs and a sofa from Baker. Rug: Merida Meridian.
Brightly decorated dining room with yellow accents, elegant furniture, and large windows showcasing natural light.
Langdon Clay
A convex mirror is a riveting focal point between windows casually dressed in swags over rods with gilded-arrow finials. The unusual placement of a frieze of pictures was dictated by Braithwaite’s wish to enhance the chair rail. Mirror: William Word Fine Antiques.

Primary Bedroom and Bathroom

Stylish bedroom and bath design from the 90s featuring natural light and elegant furnishings.
Langdon Clay
Furniture and fabrics: Baker.

The ceiling of the main bedroom echoes the unusual roofline. The walls’ tent-like stripe, hand-painted by Linda Ridings, was designed by Braithwaite for visual impact. The furniture is a casual mix aimed at everyday comfort. The white damask upholstery is also used for the bed hangings whose borders repeat the linen that makes up the duvet. The same linen print reappears as bands on the Roman shades. Adding to the luxury of the room is a narrow balcony looking out on the Chattahoochee River, “almost like a treehouse," says architect Melanie Taylor.

The main bath is a sumptuous spa under a series of arches, one of which frames the window-wrapped whirlpool tub. It is a space two people can use comfortably, with room for a steam shower. The bath is as airy as the bedroom, creating a kind of three-exposure breezeway in which air will circulate well, even in the hot Atlanta summers.

Stylish bedroom and bath design from the 90s featuring natural light and elegant furnishings.
Langdon Clay
Fixtures and fittings: Kohler. Tub deck and wood-mode vanity top: Aconite. Floor tile: American Olean. Mirror: Robern. Apothecary jars: Jaqueline Adams.

Kitchen and Breakfast Room

“People nowadays want warmer, more nurturing environments that support the way they really live,” says architect Taylor. “This house provides a balance between reassuringly traditional values and the demands of contemporary living. At the same time it fulfills our yearning for the new and the surprising.”

House of the ’90s gives major consideration to the needs of the family, and every member is given equal consideration. There are spaces—the living and dining rooms, breakfast room, and kitchen—in which the family comes together. There are private spaces—the conservatory, “secret room,” octagon room and the bedrooms—where it is possible to find solitude or a private conversation or to study, read, relax or do desk work.

Collage of interior design showcasing kitchens, dining areas, and cozy living spaces from the 1990s.
Langdon Clay
The kitchen has two distinct areas: one for cooking and the other for food preparation and family snacks.
Collage of interior design showcasing kitchens, dining areas, and cozy living spaces from the 1990s.
Langdon Clay
The breakfast room, with its arched pass-through to the kitchen, is one of several indoor dining areas. The rear elevation could not accommodate another half-round window, so Linda Ridings painted one to “complete” the interior architecture.

“The key to this design is flexibility,” says designer Braithwaite. Each room has a distinct personality, but all spaces flow together, relating to each other and to the total design. “In the ’90s, we have no need for unused rooms,” she adds. “Most rooms in this house can have more than one function and can adapt to a family's changing needs and living patterns. The architecture is strong throughout; the decorating is comfortable and just a little on the playful side.”

Collage of interior design showcasing kitchens, dining areas, and cozy living spaces from the 1990s.
Langdon Clay
Cabinets: Wood Mode. Oven and cooktop: Creda. Countertop: Avonite. Sink and faucet: Kohler.

Kids’ Rooms and Secret Spaces

Collage of interior design showcasing kitchens, dining areas, and cozy living spaces from the 1990s.
Langdon Clay
The boy’s bedroom (top left) has bamboo wallpaper; curtains are tied to bamboo poles with raffia. A conservatory (right) is a sunny space that could be an office, study, music room, or simply a place to relax or read. Ironwork fabricated by Michael Shaffer frames the room, adding to its verticality and visual interest. Chair: Jacqueline Adams. Bed: George & Associates. Sheets: Sheridan. Bamboo chair: Woodward & Warwick.
Cozy living space with large windows, charming decor, and a bouquet of flowers on a small table.
Langdon Clay
The octagon is furnished as a guest room with an elegant daybed. Artist Linda Ridings painted the playful gilded stars on the ceiling, a deliberate American touch in a room filled with Baker reproductions of European furniture. Chandelier and blue vase: Ainsworth-Noah.
Cozy living space with large windows, charming decor, and a bouquet of flowers on a small table.
Langdon Clay
Bonus spaces enrich the House of the 90s, which measures 3,750 square feet on two levels.
Cozy living space with large windows, charming decor, and a bouquet of flowers on a small table.
Langdon Clay
There is a conservatory, a “secret room” for children, and a versatile octagonal room at the end of the pergola.

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